So most of us are in a continuous state of evolution and growth. From personal to political, we’re constantly changing. This is a good thing.
Except when you’re at the forefront of the latest draft of your WIP and you have no idea whether or not what you’re writing is going in the right direction. I want to pull my hair out. This is a thing.
I’ve been writing fiction most of my life, but that doesn’t mean it was good fiction. My first full-length novel ended up in the dark abyss of projects that will never EVER see the light of day. It was written in Middle School, very few things written that young are worth reading without MAJOR revisions, usually a total rewrite.
Over the years, I’ve gone through numerous growth spurts in my writing skill level. From Middle School to High School. High School to College. College to Military. Military to Private Sector. These were all gradual evolutions that I managed to pass through without grow pains. But this latest one, after my first experience with beta-readers, is KICKING MY ASS!
The notes that I received from the betas weren’t harsh enough to warrant a total rewrite, but that’s pretty much what’s taking place. Since writing the vomit draft of the current WIP, I’ve been trying to polish my skills in the narrative arena. I’m great with dialogue, I’m great with pacing, I’m pretty solid on the plotting front, but narrative – a well-crafted, well-rounded, says-everything-you-need-it-to-and-communicates-to-the-reader-what’s-in-your-head narrative – is my nemesis.
Luckily, I have a wonderfully talented and patient group of writer friends who are helping me smooth out some of the kinks. Safe to say I owe them all a giant gift basket when all this is said and done. But here’s what I’ve learned so far in my epic battle with a properly fleshed-out narrative:
1. Take your time. I know how excited you are for the next plot point or big character moment, but when you’re sitting there, revising your work, really sink into each moment. Doing this may create some needed world building or reveal a character gem you had either forgotten or hadn’t discovered yet.
2. Apply Kurt Vonnegut’s rules on writing to your work. Here’s a link. A friend of mine introduced me to these rules a few months ago, but it took a beta-read for them to sink in. If you followed the link, I want to single out rule No. 4, “Every sentence must do one of two things – reveal character or advance the action.” Be meticulous in your placement of information. It’s painful when you first start doing this, but the new draft is totally worth the frustration.
3. Be merciless in your revision. I know we’ve all heard the phrase “kill your darlings,” but I feel the need to bring it up here. I don’t mean kill your characters, the phrase really goes quite deeper than that. Maybe everyone else knew this and I was the slow one, but here’s my two cents anyway. “Darlings” refers to everything in your manuscript, from characters and plots to sentences and word choice. It doesn’t matter if it is the best paragraph you’ve ever written in your entire life. If it doesn’t do anything to support the narrative, axe it.
I’m sure I’ll rant about the pains of writing narrative in future posts, but this is it for now. I’m off to go slave away on the WIP. 🙂