So last week, I talked about improving your narrative and touched on the idea of killing your darlings. Because this is what I’m currently [painfully] dealing with in my own rewrite, I thought I’d share a little of what’s been working for me.
Tip No. 1 – Identify Your Darlings
Killing your darlings is a little difficult when you don’t realize what they are. Please know I’m not trying to offend your genius, but sometimes your darlings sneak up on you. My most current darling came in the form of a two-sentence moment that had hung on to the MS since draft two.
Now into draft six, I’ve been dredging through Chapter 3 for a bit because I’ve been trying to keep this moment for whatever reason. In the words of YouTuber Grace Helbig, “I don’t know.” Once I realized that it was a darling, it was cut into the graveyard of manuscript outtakes.
Tip No. 2 – Have a Manuscript Outtakes Document
I did not come up with this idea, but it is a concept that I wish I had adopted earlier. The gorgeously talented J.L. Gribble, debut novel Steel Victory comes out this week – order a copy NOW, gave me the idea a few weeks ago during a critique session.
This does a couple of things: 1) You’re still hanging onto your darlings, so killing them from the MS is a little easier, 2) If you do ever have an opportunity to use them, they’re there at the ready, and 3) If by some chance you do get published and acquire a fan-base, you now have outtakes to share with them as easy promotional items.
Tip No. 3 – Follow Kurt Vonnegut’s Rules on Writing
Specifically (and I mentioned this last time) that each sentence should either develop character or advance plot. It took me a while to understand what this really meant because in my little baby writer brain, I looked at my MS and said “but it does develop character; it does advance plot.” In reality, I was focusing on the wrong things, making the beginning narrative slow and boring. It “technically” did what I needed it to – develop the relationships of my two main characters and set the stage for what’s up against them – but I was focusing so much on what made my characters who they were instead of who they are in the moment that the plot was stagnant. This is a hard concept to wrap your head around, but once it clicks, you’ll see the improvements in the writing.
See the full list of Vonnegut’s Rules here.
Tip No. 4 – Have a Trusted Writing Buddy
I think I’ve developed a strange dependency on my uber talented group of writer friends because I know without a doubt that my writing would not be improving without them. Going back to what I was saying before about my headache that is Chapter 3, that darling I didn’t realize was a darling – yeah, my friend and CP Chelsea was kind enough to tell me, “I think that’s going a little far.” Which of course hit a switch in my head, causing an immediate ::face:palm::. I had been struggling with the writing because I was trying to keep something that didn’t belong there. I was trying to save a darling.
Once I transferred said darling over to the graveyard, it opened the way for me to concentrate on the plot movement and figure out how to close out the chapter (which will hopefully happen tonight).
I hope these tips help you as much as they’ve helped me. What about you? Do you have any tips on killing the darlings in your WIP? Share them in the comments below.