An Introvert’s Love Letter to Writers

As writers, we all have that book that sparked our interest in creating characters and telling their stories. For me, that book was Tamora Pierce’s The Song of the Lioness quartet. It had everything: a badass, ambitious heroine, action, adventure, and multiple well-rounded love interests. If you haven’t read these books, please do so. They are wonderful and lovely and [all other positive adjectives].

I had read books prior to that series, but seeming as how neither of my parents were avid readers, my choices were limited. My elementary school library’s collection revolved around the Goosebumps, Magic Tree House, and Boxcar Children series, all of which I devoured. But Middle School, that selection opened more doors in my imagination, which of course could only be sated by writing my own stories.

So here’s what I have to say to the writers who are struggling with either revisions or submissions, your words have the potential to inspire the next generation of writers. So forget the doubt, forget the frustration, and keep doing what you’re doing. Besides, it’s not like we got into storytelling for the money.


Current YA loves so far for 2015:

Magonia, by Maria Dahvana Headley

Snow Like Ashes, by Sara Raasch (Book 2, Ice Like Fire, releases October 13, 2015!!!)

Red Queen, by Victoria Aveyard (Book 2, Glass Sword, releases February 9, 2016!!!)

The Lunar Chronicles, By Marissa Meyer (Series Conclusion, Winter, releases November 10, 2015!!!)

Daughter of Smoke and Bone Trilogy, by Laini Taylor

Gates of Thread and Stone, by Lori M. Lee (Book 2, The Infinite, is waiting for me on my bookshelf.)

Simon vs. The Homo Sapiens Agenda, by Becky Albertalli

More Happy Than Not, by Adam Silvera

My Heart & Other Black Holes, by Jasmine Warga

I know this is a short list. I’m a slow reader and a lot has happened this year. What about ya’ll? What have you read this year?

Literary Tropes: The Love Triangle

Alright folks, it’s time for some real talk about a literary (and tv/movie) trope that seems to get people hyped up, which often results in some not-so-nice comments toward the creators of said works.

Now, I’m the last one to say that your comments are unfounded because you are definitely 100% entitled to your opinion – ’tis the way of the free world and all. BUT I don’t think it’s fair to be quite so mean in the delivery of said opinion – I’m just sayin’.

Granted this post is more rant than anything, but hopefully it provides a little more insight into why writers use this trope and why it’s useful.

WHY LOVE TRIANGLE’S ARE USED:

1. To show character development.

I think Alec Baldwin’s character Jack Donaghy on 30 Rock explained it best in episode 4.20 “The Moms” when he said, “They both give me different things. One connects me to the man I was. The other inspires…”

For those of you who don’t watch 30 Rock, in the later part of season 4, Jack is confronted with two love interests: his high school sweetheart, Nancy, and a younger, spitfire reporter, Avery. This love triangle comes at a point in Jack’s career where he can either sit back and lazily fall in line with his new parent company or he can continue to fight for innovation. I [speculate] the 30 Rock writers included this love triangle to draw parallels between Jack’s professional and personal decisions. When Jack does end up challenging Kabletown (the new parent company) to innovate and expand, he also ends up making the decision to choose Avery over Nancy.

2. It can provide plot depth & potential twists.

Okay, so this is where we start jumping into opinions. Personally, I have no real issues with a love triangle, provided it’s done well. I have a small obsession with Tamora Pierce’s Song of the Lioness series, so I’m surprised this is my first reference to these books . . .

In this series, the protagonist Alanna trades places with her twin brother, so she can become a knight. Throughout her adventures, Alanna combats a plethora of issues and evils, but one of her personal hurdles is choosing between three [I guess that makes it a love quadrangle?] handsome and noble[ish] men. As the plot thickens and stakes are raised, we readers get to watch characters overcome personal opinions and frustrations to achieve larger goals. Each love interest provides a greater understanding of Alanna’s world but also challenges Alanna’s perceptions (and the perceptions of her other suitors).

WHY THEY GO HORRIBLY WRONG:

So I have my own list of love triangles that I really just didn’t enjoy reading/watching, but instead of going down that road, here’s WHY I find myself getting annoyed with this trope. Hint: It has nothing to do with the trope itself.

1. Characters aren’t fully developed.

If you’re going to write a love triangle, there NEEDS to be a reason for these characters to throw themselves into it. No sane person would put his or herself in the ridiculous position of falling in love with two different people, so why should your characters? You need to provide a reason why your MC would gravitate toward his/her separate love interests.

2. The love triangle is the main plot.

I have a hard time accepting this specific trope as an actual plot. It’s just very shallow and doesn’t really speak to real character growth. My recommendation: use it as a subplot to help move the main plot along, but please don’t make your story all about “oh deary me, which handsome prince will I choose?”. Just don’t. Please.

3. Your female character has no agency.

Quite a few blogs have been touching on the subject of female characters and their ability to affect plot, and there’s a reason for this: IT’S IMPORTANT! Seriously, if your female protagonist has no say in her story, there’s really no point in her even being there. If you have a female protagonist as the center of a love triangle, the subplot of her decision needs to be based on her decision, not how macho her suitors are.

Well that’s my rant on love triangles.

Happy writing & reading, everybody!